Because I love fossils, too, I am including a 2 billion + year old kona dolomite. I hope to include some of these in our collections. I can't fathom anything this old; it fascinates me. To think our Mother Earth, for whom the Goddess figures in our last exhibit are named, is old and more.
"After this, the 4000 year old Sumerian figures are almost brand new, mere children in the annals of history. I'm a little out of context, but I will try to handle the ancient dolls by culture, first, then go back to dates. Below is some information from a site about these figures:that Art and Architecture
More than 4,000 years ago the valleys of the Tigris and Euphrates rivers began to teem with life--first the Sumerian, then the Babylonian, Assyrian, Chaldean, and Persian empires. Here too excavations have unearthed evidence of great skill and artistry.
From Sumeria have come examples of fine works in marble, diorite, hammered gold, and lapis lazuli. Of the many portraits produced in this area, some of the best are those of Gudea, ruler of Lagash.
Some of the portraits are in marble, others, such as the one in the Louvre in Paris, are cut in gray-black diorite.
Dating from about 2400 BC, they have the smooth perfection and idealized features of the classical period in Sumerian art.
Sumerian art and architecture was ornate and complex. Clay was the Sumerians' most abundant material. Stone, wood, and metal had to be imported.
Art was primarily used for religious purposes. Painting and sculpture was the main median used." http://www.crystalinks.com/sumerart.htmlUr yielded much outstanding Sumerian work, e.g., a wooden harp with the head of a bull on top, showing mythological scenes in gold and mosaic inlay on the sound box (c.2650 B.C., Univ. of Penn., Philadelphia).
Sumerian techniques and motifs were widely available because of the invention of cuneiform writing before 3000 B.C.
This system of writing developed before the last centuries of the 4th millennium B.C. in the lower Tigris and Euphrates valley, most likely by the Sumerians. The characters consist of arrangements of wedge-like strokes, generally on clay tablets. The history of the script is strikingly like that of the Egyptian hieroglyphic.
Among other Sumerian arts forms were the clay cylinder seals used to mark documents or property. They were highly sophisticated.