RE Cloth Dolls and Johl

According to Herlocher, 200 Years of Dolls, 4th Edition, Janet Johl was a grand-niece of Izannah Walker. Small World indeed. I include a photo of my kitten Mr. Tuxedo, who happens to be fond of all dolls of cloth, and of small, furry toy mousies.

Dr. E's Doll Museum Blog: Taltos by Anne Rice

Dr. E's Doll Museum Blog: Taltos by Anne Rice: It is nearly Halloween; here is a post from one of my favorite authors, who also happens to like dolls. We have books and dolls from her...

Cloth Dolls -19th c. Continued

As we return to our chronology, I would like to talk a little more about cloth dolls, in particular those made by Izannah Walker, who was making dolls in the 1840s and 50s, but who took out a patent in 1973. Here is a good blog about making similar dolls:http://izannahwalkerworkshop.blogspot.com/. It is called The Izannah Walker Workshop, and a Google Search for "Izannah Walker Dolls" turns up more great blogs and articles, images, and the notes on Pinterest and Dollreference.com. Other makers who made similar dolls during the 19th century, into the 20th include Shepard, Chase [who was inspired by an Izannah doll she had as a child], The Moravian Rag doll, Cobo Alice, Presbyterian Rag Dolls [good articles in the archives of Doll Castle News], The Alabama Rag Babies, and of stockinette, Julia Ward Beecher Babies and Beecher type babies [She was related to both Harriet Beecher Stowe and Julia Ward Howe]. the dolls are often imitated, but later dolls by Walker are marked, and she has ties with Woolrich, e.g, the Woolrich Clothing Mfg. Raggedy Ann came in the early 1900s, but she was inspired, allegedly, by an old rag doll who could have dated from the 19th c. Janet Pagter Johl and Eleanor St. George have good information on cloth dolls in their books, and several price guides mention them, including Denise Van Patten's excellent book. Walker dolls are considered rare folk art, and command very high prices. I made and painted my own many years ago. As I was working, the son of then Gov. Dan Walker came to our house to "meet and greet" meas I sat on the steps painting the doll's face. That was a campaign that iddn't end well. At any rate, I published an article with the doll in the old Doll Designs magazine called "The Birth of Izannah." I found a hand made, vintage Mennonite bonnet for her to wear and designed her dress. That magazine, along with National Doll World, which first published me, is now defunct. I must say I do miss them. Barbar Hall Pedersen was a great editor. After that, I dealt with people not that well-versed in writing or English who had axes to grind. It became an act of detente to ask them to correct their mistakes, and about the time they insulted a College Professor of Photography and well known author because they didn't like her photos, I stopped writing for them and went on to Doll Reader, Western Doll Collector, Doll News, and my books and blogs. Occasionally, I see articles by some of the authors I missed there, including Mary Hathaway and Joan Chiara. Well, everything has to change. Below is an article from True-friends.com. Izannah F. Walker, one of America's earliest known female doll makers, was born in 1817 in Bristol, Rhode Island. On June 28, 1873, at the age of 56, Walker applied for a patent for "improvement in the manufacture of dolls." In her application Walker claimed "my doll is inexpensive, easily kept clean, and not apt to injure a young child which may fall upon it. It will preserve its appearance for a long time."1 As witnessed by the surviving examples of her work, we know that this is true. Izannah was granted a patent on November 4, 1873. However, it is known that she had been making dolls for quite some time before she applied for her patent. Research has uncovered a documented case of her making dolls as early as 1828: "From Philomena Hart's Column in the Providence Bulletin. Mrs. N.M.R. (Norma H. Robertson, grand-niece of Miss Walker) wrote me a fascinating account of a doll which she thinks is the predecessor of the Chase doll of Pawtucket. It was made in Central Falls by Miss Izannah Walker.(1817-1888) She was the aunt of my correspondent who says of her, "Always inventive, she had created a stockinette doll as early as 1848 when my mother was a little child in New London, Conn. Family tradition tells of her struggle to perfect her work and of the long wrestling with one problem, how to obtain a resistant surface to the stockinette heads, arms, and legs, without cracking or peeling. With this problem on her mind, Aunt Izannah suddenly sat up in bed one night to hear a voice say "use paste." It worked... Aunt Izannah always deplored the fact that she was not a man. However, she made dolls and doll furniture, tinkered with household gadgets, designed a parlor heater, "that beat Ben Franklins," raised canaries, dabbled in real estate, and was looked upon with admiration by male contemporaries because of her skill with carpenters' tools, so perhaps she was resigned."2 A Mrs. Singsen, intrigued by this letter, contacted Mrs. Robertson to learn more and received the following information: "The Walker family came to Central Falls in Somerset Mass., and the first dolls were made for friends. One, owned by the family and now out west, is one of the very earliest and is practically life sized. Izannah Walker had three sisters, and as the business began to develop she put them to work painting the dolls faces. There were also darky dolls made, but these Mrs. Robertson said, had wool hair instead of painted on hair. From 1845, when the first doll is said to have been made,until she died in 1886, Izannah Walker carried on the business, not securing a patent until persuaded to do so by friends in 1873."3 According to the patent laws in 1873 it would have been illegal for Izannah to have been making dolls for more than two years before applying for her patent. Also note the two different years stated for Izannah's death. Izannah Walker's dolls are three dimensional works of art, strikingly similar to the folk portraits painted in the 18th and early 19th century by artists such as William Matthew Prior (1806-1873) and Erastus Salisbury Field (1805-1900). Although all of Izannah's dolls possess a recognizable style, each is distinct. This raises the question of whether some were done as portrait dolls. Although there is no documentation of this, the differences in height, facial shapes, and hairstyles on the dolls could certainly cause one to speculate that this is possible. Her dolls have been found in 15, 17, 18, 20, 21, and 24 inch sizes. The hair is usually painted on with some variation of either wisps surrounding the face or corkscrew curls. Most of the dolls are girls but several boys have been found and photographed. Izannah also made black dolls as mentioned above in Mrs. Singsen's letter. The dolls hands have stitched fingers and applied thumbs and the feet are either bare, with stitched toes, or they have painted on boots. Today the rarity and beauty of Izannah Walker dolls make them highly collectible. Currently the price range for these dolls, in good condition, can go from $16,000-18,000.4 Footnotes 1 Izannah Walker, "Patent Number 144, 373, November 4, 1873", United States Patent Office, Washington, D.C. 2 Janet Pagter Johl, Your Dolls And Mine A Collectors Handbook (New York: H. L. Lindquist Publications 1952), pgs.37-38. 3 Janet Pagter Johl, Your Dolls And Mine A Collectors Handbook (New York: H. L. Lindquist Publications 1952), pgs.38-39. 4 Jan Foulke, 14th Blue Book Dolls and Values. (Cumberland, MD: Hobby House Press, 1999), p. 200. Bibliography Coleman, Dorothy S., Elizabeth A., and Evelyn Jane. The Collector's Encyclopedia of Dolls. New York: Crown Publishers, Inc. 1968 Foulke, Jan. 14th Blue Book Dolls and Values. Cumberland, MD: Hobby House Press, 1999. Fox, Carl. The Doll. New York. Harry Abrams, Inc. 1973. Johl, Janet Pagter. Your Dolls and Mine A Collectors Handbook. New York: H.L. Lindquist Publications 1952. McGonagle, Dorothy A. A Celebration of American Dolls from the Collection of the Strong Museum. Cumberland, MD: Hobby house Press, 1997.

More Dolls with China Head as Children's Toys

Here are some makers listed in dollreference.com. No lewd comments, please. We are family friendly blog for doll collectors. Some companies that made Antique China head dolls Bawo & Dotter Bohemia Schlaggenwald - doll mark S, Bohemia Theodor Pohl Bohemia T. Eaton & Company Canada Royal Copenhagen Denmark Hamley Brothers England UK Samson Smith England UK Turnbull England UK ** Au Paradis Des Enfants French (see below) Maison Huret French Jacob Petit French Prieur French Madame Rohmer French Sèrves French Alt, Beck & Gottschalck, ABG German Bahr & Proschild German Ernst Bohne German Max Carl & Company German Closter (Kloster) Veilsdorf Greiner type China's German Conta & Boehme - shield mark German DKP, Dressel, Kister & Co. - usually heads or half dolls German William Goebel German Gräfenthal Porzellanfabrik Carl Schneider's dolls German Hertwig & Company German Kestner & Company German KPM X, August Wilhelm Friedolin Kister or A. W. Fr. Kister Schwarzburg, Rudolstadt, German Kling & Company German KPM, Königliche Porzellan Manufaktur Messien Berlin, Meissen Germany Orben, Knabe & Company - doll mark O.K. German Fritz Pfeffer Austria & German Pollack & Hoffman German A. H. Pröschold German August Reideler German Schreyer & Company German Wallendorf German Röstrand Sweden Ehrich Brothers USA Philip Goldsmith USA Stratton USA Western News Co USA The Meissen KPM factories are the oldest and most desirable of China head dolls. The Thuringia area in Germany had many other porcelain factories that produced China head dolls as well. ** Au Paradis des Enfants dolls 1864-1925 France, distributor and assembler of dolls from various doll makers including; China head dolls with pink kid bodies, wax over China head dolls. Located at 56 Rué de Rivoli, Paris, Rue du Louvre, No. 1

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I won the East/West Riverfest Contest; there is a Doll in this Poem

My winning entry; I am very honored to have been chosen, and discussed on WVIK: 1 Mississippi, 2 Mississippi… Before I Can Count, or Spell Mississippis I’m 4, looking over the Bridge Rail Waiting for skimming barges Afraid to see big, long water snakes, Dark as the water, Happy to see Koi, Oranges, dark greys, pearl whites, “Is that where my goldfish go When they swim upside down in my bowl then Go away?” Delighted at their immortality. 1 Mississippi, I’m ten, and Ferris wheels Glitter on Old Miss’s Banks, Rhinestones that decorate the shore The way they decorate hats you win At the Carnival, Murder that summer, Never solved, A boy who was my age will never ride the Ferris wheel again. He is not immortal, and the rail road bridge, its tracks, and the Arsenal Gates are his last companions. 2 Mississippi, I’m 15, and its Field Biology time, I’m wading in her shores at Sunset Marina, Pulling things out of the water, Creating slides of microscopic Water creatures, Wearing rubber hip boots, Not fishing, but catching a lot, An old doll head finds its way to me, Sightless, grimacing, glad I’ve caught it. We disinfect it, sew it a body, Create Couture from an old swim dress of mine. It has a second life. 3 Mississippi; I’m nearly 30. I don’t have to count “Mississippis” any more To measure time. It flows swifter than my River’s Current. I’m gone, gone girl to California. I wade in the Pacific now. But, I don’t like it. Not anymore. Like Susie Glaspell, I want my river. 4 Mississippi, I’ve come home, Still looking for water snakes in the Black Water, Still struggling against Time’s Current, Writing, teaching, showing Others my River. 5 Mississippi, I won’t tell you how old I am. “You are drinking the Mississippi River,” A sign reads at one of my old schools. Well, I do drink it in. I visit its locks and dams, Damn its bridges, Ride its currents when I can, Listen to my River. One day I’ll sail it down to River Styx. Then I won’t even try to count Mississippi’s anymore.

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From G. Stanley Hall, A Study of Dolls (1897) on Google Books for free: St. Agnes, one end of a passage is given up to the objects found in the tombs of the early Christians, and among these are some very similar dolls taken out of the graves of the Christian children." W. H. Holmes, Bureau Eth. Rep., 1884-5, P- IS2^ thinks that dolls found with other relics in graves in the province of Chiriqui were possibly toys, but more probably tutelary images. Miss Alice Fletcher writes : " Among the Indian tribes with which I am familiar there is no special treatment of dolls. All depends upon the particular child's imagination and imitative powers. " As far as my observation goes, and I can learn, the religious ceremonies of the tribe are not mimicked, although some of the practices of the same are. The religious rites of the white race are reproduced by the children. As far as I can yet discover, there is no relation between dolls and a fetich or any emblem."

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