Dr. E's Doll Museum Blog: The Mad Collector in the Basement; Established Dol...

Dr. E's Doll Museum Blog: The Mad Collector in the Basement; Established Dol...: Recently, I learned of a program to be given at a future doll convention. It purports to tell us all how to start a doll museum. Key point

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Rescued has Moved

825 First Avenue Silvis, IL

Paper Dolls a brief a Brief History by Request

Recent visitors to American Doll and Toy Museum asked to see paper dolls. We have thousands, maybe tens of thousands in our collection. Some are in a map case in my private museum office. Others are still boxed or filed away. I've taken some out and have started doing a photo study. As early as 3000 B.C., Ancient Egyptians were making papyrus paper. In around 2450 B.C., animal skins began to be used for paper, a practice still used during the Middle Ages and after with vellum, made from calf skin, and other paper made from sheepskin, hence why academic diplomas are nicknamed "Sheepskins." Originas were just that. 2000 years ago or so, paper made from cloth was first develped in Ancient Asia, especially China. Paper figures are associated with the Milky Way Festival in Ancient Japan, and similar funerary paper dolls are still sold in Malaysia. These are burned in various ceremonies. In the Crazy Rich Asians novels, a paper doll hoPapuse version of a mansion is burned as part of a funeral service. Before I start, let me note that this is the best site I've found for paper dolls and their history, plus it has lavish illustrations; The Paper Collector. http://thepapercollector.blogspot.com/ It is a blog, but I like beginning research with blogs; I find most are written by people who are passionate and who care. This one is no exception. Paper has existed for centuries, and was probably invented by the Chinese. Though, the Ancient Egyptians had papyrus, and others wrote on vellum. Rare medieval manuscripts and illuminations were painted by hand in monasteries by talented monks; the famous tome of these is The Book of Kells, represented in artwork done for Colleen Moore's Fairy Castle. Books and paper were rare and prized in Europe. Wealthy people posed with their libraries, showing that the more books they owned, the wealthier they were. The book A Gentle Madness describes famous book collectors, all wealthy, who had "rock star" status. Sor Juana Ines de la Cruz, a 17th century Mexican scholar, mathematician, poet and writer who was also a child prodigy and a nun, kept a library of 2500 books and manuscripts in her cell. She is often painted with them. For her talent and genius, she was famous in both Spain and Mexico, and was the granddaughter of the viceroy of Mexico. Early manuscripts that have survived by Cervantes, Byron, Keats, Wordsworth, and other 15th-19th century writers show that they conserved paper, saved old manuscripts, wrote on scratch paper, and wrote all over the page, turning it upside down, writing on margins, etc. Paper was collected and sold at rag and bone shops, and would not be thrown out. Our modern day recycling hearkens back to this era. In Japan, origami has long been a treasured art. Figures of paper have often represented the souls of the departed and were used in ceremonies where they were thrown into water at the end. Paper figures are burned in similar rites in Malaysia. Paper scrolls play a role in the Japanese Milky Way festival, as described by Rumer Godden in her story of two Japanese dolls, Miss Happiness and Miss Flower. There is a paper doll in love with a lead soldier in Hans Christian Andersen's "The Steadfast Tin Soldier." As we know them, paper dolls were created in the 18th century, more as amusements for adults than children. Indeed, Mary Hillier and Helen Young have written that 19th century jointed pantins originated in France. Supposedly, a law was written prohibiting them, lest pregnant women give birth to deformed children because they played too much with the paper dolls themselves. These jumping jacks still exist. Shackman reproduced the original Polichinelle varieties, but they are also made in wood. Often, they come from German or Italy. I have a rare, X-raged one done in metal involving a couple with 1920s style hairdos. This is a family blog; I'll leave the rest to your imagination. Paper dolls were often hand tinted, and represented fashions of the day. There are fashion plates made of ivory, very thin, where images of hats and wigs are laid over a head to try out the latest styles. There are examples of these in the Cincinnati Museum of Art. The books of foremost authority R. Lane Herron also feature great articles on paper dolls, as do the books of Janet Pagter John and Clara Hallard Fawcett. Mr. Herron was the first authority to write on and publish about, paper dolls. By the time The History of Little Fanny and The History of Little Henry came around, lithography was being used in books and paper, and paper dolls could now be lithographed and mass produced. Fine examples exist from the 1820s to 1890s. Paper dolls, often printed on both sides, where used to advertised products, so that Lion Coffee and other companies used them as others did trade cards. There is also as set featuring Queen Isabella and other European queens that dates from the 1892 Columbian Exhibition. There will be more on the handmade varieties that abound, some in 3-D, as well as a word on paper toys and printables, as well as paper doll houses. For those who crave more, I recommend Marilyn Waters The Toy Maker site, Jim's Mini Printables and Marilee's Paper Doll Page. Several years ago, I saw an exhibit at the Chicago Historical Society of manuscripts by the Romantic poets including Byron and Wordsworth. Both wrote all over their manuscript, in the side margins, across the tops and bottom, and on the back. Paper was precious. I can imagine Byron sitting in the house of Lords, bored, and writing poems, scribbling frantically, half listening to what was happening around him.a Below are images from our paper doll and pape related collections:

日本語で博士 E の人形博物館 [Dr. E's Doll Museum in Japanese}: Dr. E's Doll Museum Blog: Japanese Girls/Doll Fest...

日本語で博士 E の人形博物館 [Dr. E's Doll Museum in Japanese}: Dr. E's Doll Museum Blog: Japanese Girls/Doll Fest...: Dr. E's Doll Museum Blog: Japanese Girls/Doll Festival : Happy Japanese Doll Festival March 3d. Once, it was hard to find Hina Matsuri ...

Our Purpose

The more I run the American Doll and Toy Museum, the more I realize a lot of people of all ages have no clue what a museum is. “What is the purpose of this?” asked one woman in her seventies or early eighties. She grew up in our area, which has several museums besides ours, including The Putnam Museum, The German American Heritage Center, The Hauberg Indian Museum, and The Rock Island Historical Society, to name just a few. I don’t think she has been in any. She wanted to know if we bought and sold dolls and other things. No, I answered, we aren’t retail. Our purpose is to educate, and to tell the story of humanity through dolls and toys. Our collection represents Prehistory to the Present. Many of our artifacts also represent the ethnicities or our community. They tell the progress of immigration in our area. We also curate to preserve, even things no one else may want. We have several libraries of books about our objects, but also about them. Our best visitors are children twelve and under. They are fascinated by the antiques, and delight when they find something they recognize. They behave well, and aren’t jaded. Their favorite exhibits are Polly Pockets, My Little Pony, and Disney Princesses. I direct those who want to know more about to museums to the blog, “The Future of Museums.” My cousin who is a pastor, calls the museum a ministry for children, both because we try to preserve objects for posterity, but because we are dedicated to childhood and its pursuits, to a time more innocent than today. We a 501c not for profit; we do not make money in this venture, far from it. Dolls and toys are humanity’s historians. Dolls are often the only thing left to us from civilizations long gone from the earth, and are portraits of their creators. Brick and mortar museums exist to teach as well as entertain. There museums for kitchen utensils, washing machines, tractors, trucks, textiles and mores. What is our purpose? Come see us to find out, but if you have to ask, well . . .