Here is a link to an article "Who is Leo Moss--" retrieved from https://aperturephotoarts.com/leo-moss/
Apparently, there is an ongoing issues about the very existence of the artist and the authenticity of the dolls. I had the honor of seeing some at a local exhibit, including Violet May, and her X-Ray. More later as I dig further into the story.
We will be adding photos, beginning with ancient dolls, as an annexe to the museum; visit us on Facebook, Dr. E's Doll Museum, and on Twitter @Dr. E's Doll Museum. We also have Facebook pages Doll Universe, Antique Doll, and Dr. R. We are on Flickr under Ellen Tsagaris, and ISSUU as Old Dolls. Our other Twitter account is Old Dolls. On Instagram, we are ellen_tsagaris. In keeping with our new non profit name, we've changed the name of this blog. All we need now is the building!!
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Thursday, January 18, 2018
Tuesday, January 16, 2018
Dr. E's Doll Museum Blog: William Hertling and The Singularity Series; Could...
Dr. E's Doll Museum Blog: William Hertling and The Singularity Series; Could...: "Domo Arigato, Mr. Roboto," Indeed! Here is a description of Avogardo , one of William Hertling's early books of the singula...
Thursday, January 11, 2018
Automatons keep moving, no matter what!
Automatons keep moving, no matter what!: The news was recently abuzz with an incredible story; Saudi Arabia made an android, or robot, a citizen. Ever since a 1797 brochure called Mr. Haddock’s Andorides was published about an exhibition of automatons, the fascination with this fusion of doll and machinery has never stopped. There are all kinds of horror films and novels about them, and dolls, for that matter. Automatons even have Facebook pages devoted to them. Wired magazine frequently writes about them, and artificial intelligence, in general, is a hot ticket today.
Monday, January 1, 2018
Kintsugi and Kutsunia; The Art of Broken Pieces and Dolls
Here is a link with video explaining the beautiful art of kintsugi, repairing broken pieces of pottery with lacquer missed with gold, silver, or platinum. The point is to repair, but not to disguise, and to emphasize the history of an object.
Many of us in the doll business are often loathe to collect a doll or figurine that has been repaired. Like Barbara Pym's Leonora Eyre of The Sweet Dove Died, we don't' want imperfection in our lives. She hides a hand painted glass pitcher, formerly one of her treasures, because she notices a tiny chip in the paint of one of the flowers.
The whole point of antique and vintage dolls, at least, is that they are used nad well-loved. Look at the "as is" disclaimers that go with them when you buy them on e-bay.
More than that, however, is the history and patina that these dolls have. They have been loved; they shouldn't be disguised or repaired to he point of perfection. I don't think they should be disdained, either. I'm not alone in that, or there would be no doll hospitals or books on doll repair.
Others who collect with money to burn still buy objects in need of a little TLC. Doris Duke had a studio in one of her estates where she had all the broken china sent. She mended it as a hobby. Marilyn Gelfman Karp in her classic In Flagrante Collecto describes "poignant repairs" among her favorite collectibles. These are pieces of pottery repaired with nails and braces of wood and other materials. they are hard to find. I have only one example among my treasures.
Ever since I read of Beth March and her pathetic collection of rag tag dolls that she nursed and cherished, I've had a special place in my heart for the misfit dolls that need help. Some are the best examples I could find of rare dolls, but others were dolly wrecks that needed a new life.
I do some of my own repairs, but would no way work on someone else's dolls. As I wrote for an About.com article, "I'm not a Doll Doctor, But . . . .", I had means of repairing and maintaining my dolls, of dressing them and constructing bodies, without doing any harm. It could all be undone.
One famous collector dealer I crossed paths with in San Jose used to buy the repainted and professionally repaired French bisque doll heads and then remove the paint. He showed me how he did this with a Jumeau head.
He had mint French Fashions and Bebes in his collection that were mint and very rare, but he had a soft spot for rescuing the less than perfect among them, too.
Many current mixed media artists see the beauty in these fabulous fragments; they create jewelry, vignettes, and all sorts of art from them. As a result, doll parts are selling briskly and books on assemblage and collage using antique and vintage doll parts pop up everywhere. I have written on these artists, too, including a post called "Fabulous Fragments."
Good dolls in mint shape are hard to come by; I never advocate to collect for investment; doing so makes us doll snobs with tunnel vision. That's just my opinion. I go with buy what you like and what inspires you. You will still have a valuable collection, but you will enjoy it for its intrinsic self.
Dolls have their own history; those who are banged up have the best stories to tell. Some little girl loved them; they provided comfort and companion ship. Also, many dolls would not be saved if we only wanted mint examples, the "failures" of the play world.
For a while, collectors wanted Barbies out of the box, and one famous photographer only collects the undressed, played with variety. Read about her in M.G. Lord's, Forever Barbie.
Old dolls are finite; they are no longer made. Preserving them in any condition tell us about the business history of the toy industry, of materials used, of manufacturing practices and cultural norms.
One famous author even stated that every old doll is rare. That's true. Real antiques, even "low brow" china heads, are disappearing from antique malls and stores.
Back to Kintsugi; no one is perfect, everything is flawed. Read Plato for more on the theory, or Derrida on the idea of signs in the post modern world. Yet, it is our flaw that give us history. If old pottery and china are worth saving through Kintsugi, so are old dolls.
Many of us in the doll business are often loathe to collect a doll or figurine that has been repaired. Like Barbara Pym's Leonora Eyre of The Sweet Dove Died, we don't' want imperfection in our lives. She hides a hand painted glass pitcher, formerly one of her treasures, because she notices a tiny chip in the paint of one of the flowers.
The whole point of antique and vintage dolls, at least, is that they are used nad well-loved. Look at the "as is" disclaimers that go with them when you buy them on e-bay.
More than that, however, is the history and patina that these dolls have. They have been loved; they shouldn't be disguised or repaired to he point of perfection. I don't think they should be disdained, either. I'm not alone in that, or there would be no doll hospitals or books on doll repair.
Others who collect with money to burn still buy objects in need of a little TLC. Doris Duke had a studio in one of her estates where she had all the broken china sent. She mended it as a hobby. Marilyn Gelfman Karp in her classic In Flagrante Collecto describes "poignant repairs" among her favorite collectibles. These are pieces of pottery repaired with nails and braces of wood and other materials. they are hard to find. I have only one example among my treasures.
Ever since I read of Beth March and her pathetic collection of rag tag dolls that she nursed and cherished, I've had a special place in my heart for the misfit dolls that need help. Some are the best examples I could find of rare dolls, but others were dolly wrecks that needed a new life.
I do some of my own repairs, but would no way work on someone else's dolls. As I wrote for an About.com article, "I'm not a Doll Doctor, But . . . .", I had means of repairing and maintaining my dolls, of dressing them and constructing bodies, without doing any harm. It could all be undone.
One famous collector dealer I crossed paths with in San Jose used to buy the repainted and professionally repaired French bisque doll heads and then remove the paint. He showed me how he did this with a Jumeau head.
He had mint French Fashions and Bebes in his collection that were mint and very rare, but he had a soft spot for rescuing the less than perfect among them, too.
Many current mixed media artists see the beauty in these fabulous fragments; they create jewelry, vignettes, and all sorts of art from them. As a result, doll parts are selling briskly and books on assemblage and collage using antique and vintage doll parts pop up everywhere. I have written on these artists, too, including a post called "Fabulous Fragments."
Good dolls in mint shape are hard to come by; I never advocate to collect for investment; doing so makes us doll snobs with tunnel vision. That's just my opinion. I go with buy what you like and what inspires you. You will still have a valuable collection, but you will enjoy it for its intrinsic self.
Dolls have their own history; those who are banged up have the best stories to tell. Some little girl loved them; they provided comfort and companion ship. Also, many dolls would not be saved if we only wanted mint examples, the "failures" of the play world.
For a while, collectors wanted Barbies out of the box, and one famous photographer only collects the undressed, played with variety. Read about her in M.G. Lord's, Forever Barbie.
Old dolls are finite; they are no longer made. Preserving them in any condition tell us about the business history of the toy industry, of materials used, of manufacturing practices and cultural norms.
One famous author even stated that every old doll is rare. That's true. Real antiques, even "low brow" china heads, are disappearing from antique malls and stores.
Back to Kintsugi; no one is perfect, everything is flawed. Read Plato for more on the theory, or Derrida on the idea of signs in the post modern world. Yet, it is our flaw that give us history. If old pottery and china are worth saving through Kintsugi, so are old dolls.
Sunday, December 31, 2017
Dr. E's Doll Museum Blog: Recipes for Happy New Years! For Dolls and People...
Dr. E's Doll Museum Blog: Recipes for Happy New Years! For Dolls and People...: Here is a link to Dr. E's Greening Tips for the Common Person, where I often post my own original recipes. Happy New Year; Peace in 201...
Friday, December 29, 2017
Wednesday, December 27, 2017
Vintage Rose for Dolls, fellowhip and More
The Bottom
Line: Partners Michelle and Diane opened
this wonderful, true antique store in 2009.
This is the kind of antique store I grew up with, with real antiques, a
good general line, vintage and antique china and pottery, lots of Art Deco, and
wonderful jewelry. I especially love the
rhinestones. There is also a good
selection of dolls and toys from vintage to antique. I have purchased Silvestri automatons, once
displayed at the flagship Marshall Field’s Store in Chicago, small all bisque
German dolls, German bisque dolls with glass eyes, dressed in furs, vintage and
collectible Raggedy Anns, including to talking varieties, antique china heads,
a near mint comp character baby, and more.
Michelle and Diane also carry miniatures like netsuke, bone china
animals, children’s books, toys, and seasonal items.
One case
holds antique toys including a Victorian wooden doll bed, several small German
bisque dolls, vintage doll accessories, and other toys dating from Victorian
days to the 1930s. She carries several
unusual types of German bisque nodders and figurines, many with elaborate
detail. She has also featured LLadro
Japanese Doll Festival figures and musical marottes with German bisque heads.
Recently on
display was a vintage mechanical Santa who pops out of a chimney, circa
1950s. Vintage Rose is a great place to
look for gift items and vintage and modern Victorian inspired lithographs. She carries Victorian Papers cards, but also
original graphics and paper ephemera.
Pros: The displays and merchandise are always
changing. Michelle and Diane are super
friendly and customer service is excellent.
Staff, including Lois, Ellen, Eric, and Lexi [forgive me if I’ve
forgotten anyone], are knowledgeable and upbeat. No one is every pressured to
buy anything, layaway terms are generous. You can spend one minute or one hour
browsing and receive the same wonderful service.
Displays
change with the seasons; wonderful old aluminum trees and 50s/60s ornaments
appear during Christmas. Spooky,
nostalgic vintage Halloween decorations pop up in the fall, along with
pilgrims, and later in winter, snowmen.
During the Christmas season, Michele and Diane hand out real sugar plum
candies.
Prices are
fair and often negotiable. Ask about the
Gold Box program! There are good books
on genealogy and local history, too.
Michelle is active in DAR activities and also has an Etsy store, Effie
Rose Antiques. She has many antiques on
consignment from around the country, and also displays in other malls. She is active in the antique show circuit and
is good at looking for special collectibles for her customer.
She carries
books on antiques including my own book on metal dolls, “With Love from Tin
Lizzie . . .” We had a terrific book signing there.
I especially
appreciate the fact that anything you buy at Vintage Rose is carefully wrapped
in clean tissue paper and carefully packed.
Michelle does not spare the bubble wrap, boxes, or large, handy shopping
bags. I always recycle these. Nothing is ever lost, left behind, or broken
when I get it home. I can’t say the same of all my antiquing experiences.
Cons: Only that Vintage Rose isn’t open 24/7,
though you could argue it is with the Etsy store.
See their
Facebook Page for contact information. On the same street and within walking
distance are several other antique stores including G.V’s Stuff [general line,
pottery, national costume dolls, glass, Stengl, Lefton kewpies, half dolls,
metal doll houses, plastic doll house furniture, some Star Wars and Hot
Wheels], Fred and Ethel’s [Lucy memorabilia, vintage clothing, fifties and
sixties nostalgia, Gas Station/Duchess Costume dolls, some 80s Barbies,
Christmas, Halloween, Easter, displays 6’ Barbie manikins, vintage costume
jewelry], Jackson’s Antiques [Great Seasonal Open Houses, Jackson Pottery,
books, vintage clothing, “Ugly” sweaters at Christmas, small dolls, china
heads, miniatures, compo dolls], Estate of Grace [seasonal, primitive, shabby
chic, some dolls], Dar Jac Antiques [Dover paper doll books, antique jewelry, glass,
miniatures, furniture, some dolls] Fabulous Finds [collectible porcelain,
Franklin Mint type, Danbury Mint, 80s Effanbee, 80s Ginnys, some art dolls,
Lefton figurines]. Don’t
forget Tim’s Corner for vintage comics magazines, action figures, and other doll related collectibles, and More than Memories-Estate of Grace for unusual décor and vintage items.
forget Tim’s Corner for vintage comics magazines, action figures, and other doll related collectibles, and More than Memories-Estate of Grace for unusual décor and vintage items.
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